Revisiting Antiquity in Modern European
Literature & the Arts
ESCL 2026 SYMPOSIUM Athens, 20-21 February 2026
in collaboration with the MA Programme :
‘Creative Writing, Theatre and Culture Industries’,
Theatre Studies Dept, School of Arts, University of
the Peloponnese, and
The National Library of Greece (NLG),
SNFCC
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PROGRAMME
Friday, 20 February 2026 Room of Multiple Uses, The National Library of Greece (NLG), SNFCC
9.00- 9.15 Registration - Coffee
9.15-9.30 Opening of the ESCL/ University of the Peloponnese Symposium
Szuszanna Varga, University of Glasgow, President of ESCL
Angeliki Spiropoulou, University of the Peloponnese, EC Member of ESCL Director of the MA in Creative Writing, Theatre & Culture Industries
9.30-10.30 Panel 1: Theatre Reception(s) of Antiquity I
Sergia Adamo, University of Trieste, Everything is Burning, Re-reading The Women of Troy in Contemporary European Theatre
Sophia Tsatsou – Nikolouli, University of Thessaly, Antigone by Sophocles: Contemporary Readings and Creative Approaches
Anthofili Kallergi, University of Ioannina, The Reception of the Plautine Aulularia in Molière’s The Miser: Harpagon’s monologue (4.7)
Chair: Szuszanna Varga, University of Glasgow
10.30-13.00 Panel 2: Literary Resonances of Antiquity
Christos Argyropoulos, University of Athens/Saint Joseph University, ‘Enemy of Caesardom’: Interwar Anxieties and Classical Reception in Robert Graves’ 'I, Claudius' and 'Claudius the God'
Chiara Protani, University of Bologna, The Unburied Body of Polyneices: Resonances of Classical Theatre in Contemporary Literature
Rosa Figueredo, Polytechnic University of Guarda: Revisiting Antiquity: Wole Soyinka’s version of a Greek Classic, The Bacchae of Euripides
Mario Meleiro, Polytechnic Institute of Guarda, Revisiting the Classical Vocabulary in Ricardo Reis – Fernando Pessoa
13.00- 13.30 Break
13.30-15.00 Panel 3: Art Questioning Antiquity
Irene Gerogianni, Athens School of Fine Arts, Epic as Serial Form: Text, Textile, and Time in Bia Davou’s Work
Vilma Losytė, Université Toulouse - Jean Jaurès, Revisiting Classical Art: The Venus de Milo as a
Symbol of Inclusivity
Katerina Stefanaki, University of Athens, The Figure of the Minotaur in Early 20thC Avant-garde.
Dora Kechagia, University of the Peloponnese, Nobody’s Leda, A Contemporary Glance on the Myth of Leda and the Swan
Vasilis Stavrou, University of Athens, Art Imitates History: The Wife of Candaules Re-Imagined
Chair: Ioanna Papadopoulou, University of the Peloponnese
15.00- 16.00 Lunch break (own arrangements)
16.00-17.30 Panel 4: Rewritings of Mythology and the Classical
Mario Bosincu, University of Sassari, Friedrich Georg Jünger’s Remarks on Greek Mythology
Nikoletta Zampaki, University of Athens, Botanical Imaginaries in Ancient Greek and Modern Greek Lyric Poetry (20th c)
Ioanna Papadopoulou, University of the Peloponnese, Adaptations of Aristophanes' Comedies in Comic Books
Gema Dominguez Gonzalez, University of Alcalá, Ismene Re-Imagined: The Thucudidean Verion of the Greek Heroine by Natalie Haynes
Chair: Irene Gerogianni, Athens School of Fine Arts
17.30 – 19.00 Panel 5: Rethinking Antiquity through Modernity
Manolis Simos, University of Crete, Michel Foucault and the Ancient Art of Living
Georgia Giannakopoulou, Deree-The American College of Greece, Modern Antiquity – Building the “Golden Age” Beyond the Battles Between the Ancients and the Moderns
Melania Torok, University College London, New Woman, New Amazon: Changing Depictions in Classical and Feminist Literature
Metka Zupančič, University of Alabama, Hélène Cixous Deconstructing Oresteia in her 1994 Play La Ville Parjure ou le Réveil des Érinyes
Chair: Des O'Rawe, Queen's University Belfast
19.00- 20.30 Poetry Reading by Alicia E. Stallings, University of Oxford
20.30- 21.00 Wine and nibbles.
21.00 Participant dinner (optional- check in at Registration)
*****
Saturday, 21 February 2026, Book Tower, The National Library of Greece (NLG), SNFCC
9.00 Registration- Day 2 of the ESCL Symposium/ 2nd Festival of the MA in Creative Writing, Theatre and Culture Industries, University of the Peloponnese.
9.15- 11.00 Panel 6: Activist and Pedagogical Applications of Antiquity
Rosy-Triantafyllia Angelaki, Aristotle University of Thessaloniki, Adaptations of Greek Antiquity in Twentieth-Century European Children’s Literature
Paraskevi Melachroinaki, University of the Peloponnese, Children’s Reception of the Trojan War in Primary School
Angela Constantinidou, Theatre artist, Open University of Cyprus, Recontextualizing Greek Tragedy: The Case of Theater of War
Christina Zoniou, University of the Peloponnese, From Tragedy to Action: Antigone as Political Technology of Participation
Chair: Christina A. Oikonomopoulou, University of the Peloponnese,
11.00- 12.30 Panel 7: Antiquity in/and the Performing Arts
Des O'Rawe, Queen's University Belfast, Modern(ist) Antiquities: Experimental Documentary and Classical Greece
Katerina Kanelli, University of the Peloponnese, Hellenism in Contemporary Greek Dance
Marianna Koukoulekidou, Dancer/ choreographer, Clytemnestra … on drags: Gendered Representations and Rewritings of Antiquity in Ancient and Modern Performance
Afroditi Kairaki, Panteion University/The Hellenic Open University, From Ancient Greek Drama to Contemporary Cinema: Trigger Warnings and the Concept of Safe Space
Chair: Alexandros Efkleidis, University of the Peloponnese
12.30- 13.30 Panel 8: Theatre Reception(s) of Antiquity II
Christina A. Oikonomopoulou, University of the Peloponnese, Heroes and figures of Ancient Greece in plays by Contemporary and Ultra-contemporary European French-speaking playwrights
Andriana Domouzi, University of Athens, Euripides Reimagined: Fragment, Myth and the Posthuman in Protesilaus and Laodameia by Haris Sakellariou
Dora Leontaridou, The Hellenic Open University, Contemporary Theatre Rewritings of Medea
Chair: Chiara Protani, University of Bologna
13.30- 14.30 Lunch break (own arrangements)
14.30- 16.00 Opening of the 2nd Festival of MA in Creative Writing, Theatre & Culture Industries.
Play Readings: MA Workshop in Playwriting taught by Akis Dimou (in Greek)
16.00-17.30 Discussion of Theodore Terzopoulos’ s Performance of Oresteia, produced by the National Theatre of Greece, premiered at Epidaurus Theatre in 2024
Speakers:
Savvas Stroumpos, Actor/Director of Zero Point Theatre; Associate Director of 2024 Oresteia
Maria Sikitano, Dramaturg of 2024 Oresteia
Irene Moundraki, dramaturg of the National Theatre of Greece and the Oresteia 2024
17.30-18.00 Coffee & snacks
18.00 End of ESCL Athens 2026 Symposium
18.15-20.30 2nd Festival of MA in Creative Writing Continued to 22nd Feb
(in Greek)
Staged Plays by Xenia Kalpatzi and Meropi Papastergiou. (Facilitated by playwright Akis Dimou).
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Scientific Committee:
Elena Anastasaki, University of Thessaly
Alexandros Efkleidis, Professor, University of the Peloponnese
Richard Hibbitt, University of Leeds, Vice-President of ESCL
Dimitris Kargiotis, University of Ioannina/ Université de Strasburg
Vassiliki Kolokotroni, University of Glasgow
Apostolos Lampropoulos, Université de Bordeaux-Montaigne
Yannis Leontaris, University of the Peloponnese
Christina Oikonomopoulou, University of the Peloponnese
Ioanna Papadopoulou, University of the Peloponnese
Angeliki Spiropoulou, University of the Peloponnese, EC Member of ESCL
Zsuzsanna Varga, University of Glasgow, President of ESCL
Metka Zupančič, University of Alabama at Tuscaloosa
Organizing Committee:
Semina Gavrili, University of the Peloponnese
Evie Makariadou, University of the Peloponnese
Syriani Menagia, University of the Peloponnese
Dimitris Notaras, University of the Peloponnese
Despina Papadaki, University of the Peloponnese
Vicky Papaliosi, University of the Peloponnese
Meropi Papastergiou, University of the Peloponnese
Elias Polychronidis, University of the Peloponnese
Maria Sikitano, University of the Peloponnese
Giota Vamvaka, University of the Peloponnese
Vera Zervogiannaki, University of the Peloponnese
Angeliki Spiropoulou, University of the Peloponnese; Director of the MA Programme
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